When photographing wide-angle landscapes, often the goal is to make sure everything is in sharp focus. The reason is that usually, we do not like to look at out of focus areas of our scenes. While that shallow depth of field can be a powerful technique to get viewers to look at something in your composition that deserves all the attention, wide-angle landscapes can be more powerful when everything is sharp.Looking at this scene, from Oregon’s Willamette National Forest, you see a scene using a great depth of field. But stop for a second and think about what your end goal would be for this scene. Is there anything you would want in focus and the rest out of focus?
The foreground maple leaves are probably what I would call the ‘star of the photo’ so they should remain in focus. In this case, the background could be thrown out of focus and that would support the approach of forcing viewers to look at the foreground maple leaves.
Making the background sharp and throwing the foreground maple out of focus would only create visual chaos because the foreground maple is so large in the frame. That big out of focus maple creates a visual roadblock that stymies viewers who want to look through the scene to the background.
The answer is to use the Near/Far technique of making sure everything is in focus. This supports the foreground elements and the background as the two areas of the scene are more visually in-sync.
So after parking my car and walking through the forest to see this pond near Glover VT, I felt I had to find a different view.
