On one fall photography trip to New England, I had spent about 2 weeks in New Hampshire and Vermont, capturing an amazing array of rivers, mountains, waterfalls, country scenes, and ponds.
I had shot so many ponds and lakes with amazing color reflecting in the water that on the day I shot this, I felt I did not need another pond reflection.
That need to for something different is what had me stop and look at this scene through the trees and branches. So I set up and framed the pond and reflection between the trees and this is the shot. The trees place visual boundaries on the sides and that helps keep the eye centered on the background, through the branches.
I must have had a decent idea as this was published once in a Vermont book.
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Oregon’s McKenzie River flows down the western slope of the Cascade Mountains, heading towards Eugene.
It is a designated Wild and Scenic river that flows through old growth forests, is lined with a series of incredible waterfalls, and is a popular area for kayakers, hikers, and rafters…
…and photographers. Anytime of the year is amazing to photograph along the river but fall is special. The river is lined with a variety of maple trees, river rapids, small cascades, and in the deeper pools of water, the color is a tropical blue.
I was there for a few days last week, and despite pouring down rain every day, I was able to get out hike directly above Sahalie Falls.
In that section of river there are the pools and some cascades as well as great color that can easily fit your composition.
For this image, I liked the framing I was able to create, where you can see through the trees to the river. This section of river was nice but not as amazing as some other cascade nearby, so I filled the frame the colorful leaves as my main compositional strategy.
If you want to check it this area of the McKenzie it’s an hour NE of Eugene and if you come, be sure and stay or visit Belknap Hot Springs resort.
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1o days ago or so, I taught outdoor portrait lighting techniques at the Cascade Center of Photography in Bend, Oregon. I demonstrated multiple techniques including reflectors, diffusion panels, and wireless flash.
We went to a location where there was a field of wildflowers that we could use as a background, or in this case, our entire scene. Our model here is Justine and she was gracious enough to kneel in the flowers on a small trail that goes through the field.
This portrait was taken last week during my Outdoor Lighting Portrait workshop at the Cascade Center of Photography. We chose to shoot at a field of wildflowers for this colorful background. The model is Kim and the purpose of this portrait example for the students was to shoot after sunset and then light the model with flash.
The reason to wait for the sun to set is to reduce lighting contrast substantially, then reintroduce light by adding flash to increase lighting contrast-but contrast that I am now in control of.