Captured on a desert hike in March, this was shot with my iPhone in the middle of the day. I was really attracted to the varied color in the rock. There are many places on the planet with colorful rock like this, and I think they are very photogenic and make great photos. This was captured in Western Arizona.

My approach is all about color and not about great light because it is not that great, rather composing based on those lines and cracks and the colors.

az_quartzsite_MG_31852

I opened in in Photoshop and added some contrast. While the sun was out and there was lots of lighting contrast, the light was flat and that is the reason I punched up contrast slightly. Then because it is all about color, I added a small amount of saturation to make the colors pop some more.

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The colors of Mexico always amaze me as they are pretty much everywhere. Saturday we walked into Los Algadones, MX for the Gringos Go Home celebration. I should mention: that is not what it sounds like.

Yuma, AZ is the highest rated Snowbird destination during the North American winters and Los Algadones is right across the border from Winterhaven, CA, a few minutes from Yuma. So you can see the importance of Snowbirds to Los Algadones and their economy.

They local community is so appreciative of winter visitors they put on the Gringos Go Home party on Saturday where there was festive music, free beer, and free food. It was great!

Like other locations in Mexico, Los Algadones is quite colorful and perfect for my obsession with iPhone ‘Happy Snappin.’ As I wandered the streets I was not disappointed. That led me to this wall tucked in between street vendors.

handprints_mx

I love these types discoveries and the photos I create of them. The vendor next to this mentioned that the wall was 30 years old and hand prints had been added over the years by school children. It is a great story, but the wall says it all to me.

This file is from my iPhone and I then used Adobe Photoshop Mix (the app) to add contrast (make the whites whiter and darks darker) and added some saturation and slight sharpening.
Viva Mexico!

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I just joined Stockimo which is an online agency for smartphone photography. I have learned to love ‘happy snappin’ with my iPhone for quite sometime.

I usually snap away where ever I am and then later open them in Photoshop and play around with the images, simply for fun. I am addicted to shooting on the fly like that. 

Then Alamy launched Stockimo and it got me thinking that while I will continue having fun shooting, I might make some money. So I got busy.

The difference between Stockimo and traditional agencies is that you cannot upload regular stock images from your dslr, they can only be from a smartphone. 

Knowing full well, that I cannot let any digital capture pass by unprocessed, I wondered how I would process the images, so I dug into the apps. There I found Mix by Camera360 and it is quite cool as well. Adobe Photoshop Mix is another app I am playing with. 

I am just now uploading pics to Stockimo to see how it goes and if I make any money I will be sure and write another post stating as such. For now here are a few of my first experiments with Stockimo. 

saguaro_IMG_3184 az_occotillo az_yellow_dog_mine_3170 dog green_onions

This is a lot of fun! 

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Back light in nature and landscape photography is very effective lighting technique. When a subject is back lit the sun is in front of you or very close. I like to reference the Lighting Clock as example.

The camera is at 6 o’clock and the subject is in the middle of the clock. If the light is to either side, then it is at approximately 9 or 3 o’clock. I generally think of back light as anywhere between 10:30 and 1:30.

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In this example from the Anza Borrego in CA, the sun is in that zone of 10-12 o’clock. What I love about this photo is that back lighting adds amazing definition to the cactus and especially the Chollas. It looks like fuzz. This approach works on many subjects, even ones that dont look so great side lit.

For processing I added a hint of contrast to make the shadows touch darker, a bit of saturation, and the sky went white which is common in back lit images due to haze and such. So I added a touch of blue back in. Then sharpened a hint as well.

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It is amazing what Mother Nature provides for our cameras. I looked at this scene and wondered what was happening on Earth to make all these colorful layers? The multitude of colors, i presume, means some specific mineral was ‘spewing’ all over for a while before another mineral came along. It’s fascinating! Any geologists out there?

When you think of creating great compositions, scenes like this dont make it hard. There is not only lines and diagonals adding to the composition, but the horizontal layers as well. There is contrast as well but it’s not lighting. Instead, I call it color contrast: a full range of colors both dark and light bring contrast to the scene. If it was converted to B&W it would have tonal contrast.

This is southern Utah due north of Page, AZ. Shot with a Canon 5D and 80-200mm lens

The eroded hills near Pareah, Utah   Join my mail list on the right side. Get my eBook above. Checkout my online photography course: How to Be a Professional Outdoor & Nature Photographer.

I am excited to announce I will be teaching a 2 days Landscape Photography workshop August 15th and 16th at the Cascade Center of Photography in Bend, Oregon. The workshop is called Light on the Land and will include some classroom instruction and plenty of outdoor shooting in beautiful Central Oregon.

light on the land

You can view the workshop here: http://www.ccophoto.com/light-on-the-land/

If you are interested dont wait long as these sell out quickly.

Concept!

Without a doubt concept is the biggest ingredient in a top selling stock photo. This image screams farming, agriculture, Heartland, and more, and has made good money.

 wheat farmer

I was actually on assignment for the former America West airlines when I was shooting this guys cornfield. He drove up and asked what I was up to. We chatted and later became friends and I was invited to photograph anytime I wanted including wheat harvest where we set up this photo.

It was shot before sunset so it had the golden light of the setting sun. Having them in the foreground with the combine in back added a great sense of depth. It has been on brochure covers, bank ads, and more.

ANCIENT PUEBLOAN HAND PRINT

A number of years ago I was in a remote canyon above the Colorado River in Canyonlands NP. I was with two others and one knew of this location and these hand prints. These are somewhat rare although not uncommon and are in other places. But for me it was a one-of-a-kind discovery. These were created by placing the hand against the wall and blowing paint through a straw.

petroglyph hand prints

I do not know what the meaning is nor what actually makes up the ‘paint’ but I read once it was a plant based ‘concoction’. I imagine the straw was a reed from along the river.

For processing it was pretty basic. I wanted the white paint to pop a little more so set a white point using Levels and that brightened the image so I reduced the mid tone slider to darken slightly. That layer added more pop to the image.

I am most interested in the idea of the people who lived along the river and stood right here creating these prints. One of you out there probably knows more than me so please share.

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Here is a fun and lively portrait of Chelsea photographed against a white background. I used a large Octabox and two umbrellas on the background. The key to great white backgrounds is having them about 2 stops brighter than the light on the subject and no more than that.chelsea_6

Here is the light diagram:

LightingSetup

 

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At some point a bird walked by and left these imprints on the wet sandy beach. Birds are foragers, always looking for something to eat that will sustain them. I as well am a forager, always searching for something to feed my craving to create. It’s a never ending hunger. Photography sustains me!

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Captured with a Nikon point and shoot and processed in Photoshop and Topaz Adjust. One of the things I do when I look at something like this is to find angles or rotate the camera to create impact to the lines that are in the scene. The footprints were going in one direction so by positioning the camera to make those footprints come from one corner up to the other, more drama is created in the composition.

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