Concept!

Without a doubt concept is the biggest ingredient in a top selling stock photo. This image screams farming, agriculture, Heartland, and more, and has made good money.

 wheat farmer

I was actually on assignment for the former America West airlines when I was shooting this guys cornfield. He drove up and asked what I was up to. We chatted and later became friends and I was invited to photograph anytime I wanted including wheat harvest where we set up this photo.

It was shot before sunset so it had the golden light of the setting sun. Having them in the foreground with the combine in back added a great sense of depth. It has been on brochure covers, bank ads, and more.

ANCIENT PUEBLOAN HAND PRINT

A number of years ago I was in a remote canyon above the Colorado River in Canyonlands NP. I was with two others and one knew of this location and these hand prints. These are somewhat rare although not uncommon and are in other places. But for me it was a one-of-a-kind discovery. These were created by placing the hand against the wall and blowing paint through a straw.

petroglyph hand prints

I do not know what the meaning is nor what actually makes up the ‘paint’ but I read once it was a plant based ‘concoction’. I imagine the straw was a reed from along the river.

For processing it was pretty basic. I wanted the white paint to pop a little more so set a white point using Levels and that brightened the image so I reduced the mid tone slider to darken slightly. That layer added more pop to the image.

I am most interested in the idea of the people who lived along the river and stood right here creating these prints. One of you out there probably knows more than me so please share.

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Here is a fun and lively portrait of Chelsea photographed against a white background. I used a large Octabox and two umbrellas on the background. The key to great white backgrounds is having them about 2 stops brighter than the light on the subject and no more than that.chelsea_6

Here is the light diagram:

LightingSetup

 

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At some point a bird walked by and left these imprints on the wet sandy beach. Birds are foragers, always looking for something to eat that will sustain them. I as well am a forager, always searching for something to feed my craving to create. It’s a never ending hunger. Photography sustains me!

ca_beach_prints_b
Captured with a Nikon point and shoot and processed in Photoshop and Topaz Adjust. One of the things I do when I look at something like this is to find angles or rotate the camera to create impact to the lines that are in the scene. The footprints were going in one direction so by positioning the camera to make those footprints come from one corner up to the other, more drama is created in the composition.

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VEGAS BABY!

It is not hard to find amazing ‘light’ to photograph in Vegas. Actually, there is better man made light than sweet natural light as far as the strip is concerned. Everywhere you go: neon is so photogenic. Even in the casinos, like here at the Zarkana show (which is great) there is shape and form to capture with an iPhone. I opened this in PS and used the lens correction tool to straighten the verticals.

nv_vegas_IMG_2577a

A couple of nights ago I was out filming and photographing in Arizona’s Kofa Mountain area. I was actually filming for a new introduction video I was making for a new place I am going to be teaching and mentoring photographers. 

My focus was on the video clips, but when the light became golden right before sunset, I had to stop filming and start photographing and this is the result. There was no adjustment to the raw file as far as color at all. This ‘sweet light’ was all natural. I only added a hint of contrast, like I almost always have to do, and a bit of sharpening. Mostly a straight shot. 

az_kofa_nwr_MG_5952

I have thing for photographing through windows of old west ghost towns and taking pictures through the old glass. I get my lens as close as I can to the glass without risking damage, then shade the lens as best I can to remove external reflections , and bracket exposures like crazy.

Here is the barbershop in Randsburg, CA shot a few weeks ago. You can see some of the outside reflections around the left side and that is due to my hands not blocking all the glare. I shot a two image pano: left and right side as vertical images, then let Photoshop stitch them. Next I went into Photomatix and gave it a medium HDR grunge look. Then opened in Topaz B&W Effects and used the filter: Flavescent which added the yellowed newspaper look I wanted. I finished with another layer using the Blueprint effect and set that to 30% opacity to add a dark edginess.

ca_randsburg_MG_6394-7_pano_tonemapped-

When I like what I created, I abandon it for the next image. 

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As I pass through Las Vegas on my way to Arizona for the warm winter months, I cant help but stop in Vegas and do a little shooting. This image is from the Fremont Street area, which has been totally revitalized since my first visit to Las Vegas in 1985. 

One of the cool things they have been doing here is preserving the old neon signs from hotels and motels that are no longer standing. So right outside the Fremont Experience areas are these awesome old signs and symbols. 

nv_vegas_fremont_st_MG_4968

So I shot the old sign, hand held by the way, and opened in ACR where I added a little contrast, lightened shadows, tiny bit of Clarity, Vibrance, and Saturation. Then I opened in Photoshop and added several luminosity masks for shadows and highlights. 

This allowed me to darken a few areas, lighten specific areas, and then selectively saturate more specifics. Then I straightened the angles and removed a light pole that was in the shots and Voila!

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All the best!

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A month ago on the return trip from Canada’s NW Territories, I was zipping down the east side of Glacier NP in Montana when this event happened. The sun peeked out and I stopped, grabbed the camera and ran up a hill to get above the trees. It’s a hand-held and I started with HDR processing and applied that lightly and then did more exposure blending from the original RAW file.

The goal was to not have a sky that was over saturated and darker than the foreground or it would look unreal. I think I pushed right up to the fence so to speak as this has the look of a graduated ND filter.

mt_east_side_glacier_np_MG_6040_1_2_tonemapped

 

See the Photoshop layers below