This is from the Oregon Coast and while I had been here a long time ago I had not seen this huge rocks that was split in half. Perfect subject for a near/far approach filling the foreground with the rock using my 16- 35 mm lens. The only processing was darkening the sky a little and a bit of saturation and sharpening.
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I photographed this image at Red Rock Conservation Area, North of Las Vegas, about 6 weeks ago. I was zipping down the road from Mt. Charleston when I spotted the cactus starting to bloom. I guessed that I was about 1 week to early for full bloom, but I was not going to be here in a week, so I shot anyway.
I used a flash to fill in the shadows on the cactus and that worked great. But since it was 4 pm the light was not that great yet, so when I opened the image in Photoshop it looked like a basic snap. That’s where the fun begins. You get started and you never know where you are going in creating. Are these images ever DONE? No, they are abandoned when you are happy with the results.
I always bracket exposures so the first thing I did was HDR process it with the only intention to add drama to the clouds. Then I opened Topaz B&W Effects and used the Cerulean set to colorize the image. Once I got here I decided I had what I wanted and subsequently ‘abandoned’ this image to go start the process all over another. If you want to know about Topaz, here’s the link: http://www.topazlabs.com/aff/idevaffiliate.php?id=196
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I have told myself more than once that I am burned out on Grungy looking HDR and dont want to look at it let alone create it. But that appears to never be true since I continue to create a few HDR images from time to time. This is Death Valley at sunrise and it made for a great HDR and it is not to grungy, at least by my definition of grungy. Which is hyper color and lotsa noise and halos on the edges.
Fortunately for those of us using HDR software, you can create images that look perfectly normal and even push them a little without hyper color and noise and halos. That was my goal here. Add substantial drama. The ground here is not dark like this but rather very light salt pan. The clouds weren’t that dark either, but HDR is famous for making them look threatening.
So carefully moving the settings added a lot of drama here while avoiding over-done color and noise and other HDR issues that can arise. It is almost like a negative effect, and I am happy with it.
This is one of my favorite waterfalls. Maybe my favorite period!
Proxy Falls in Oregon is a luscious cascade of mist and moss on a steep hillside.
I first shot here around 25 years ago and few photographers had heard of it. There was a small dirt pull off on the winding mountain hwy. Now a paved parking pull offs, bathrooms, and PAY TO PARK.
Another version of this falls, shot from the other side, is one of my best selling stock photos ever, when you could make money doing this! Well worth the short hike in there.
Canon 5D and 16 – 35mm lens.
This is a popular place to shoot for outdoor photographers and I was lucky to be here after a rain so I got some nice clouds and a great sunrise.
Nature…..my new best friend!
It is Mt. Shuksan WA and I shot with a Canon 5D and 28-70 mm lens.
This is a small ground cover plant with frost on it from a venture through the Colorado Rockies.
The whole image might be 5-6″ across.
Shot with a 100 mm macro lens.
And they were all quite colorful plants of varying colors and some blue sky bouncing in.
This is one of the most amazing places I have ever shot! It’s part of Grand Staircase-Escalante NM, Utah.
The soft light is very flat lighting: no whites and no blacks, just light grays and dark grays, so you have to create the black and white. But do you need them?
Honestly, I struggled to find my ‘look.’ The original file has a blue cast from the blue sky above, so I worked that a bit: added blue/took away blue, saturated, added contrast, then took it all away. Today, I decided to do B&W and high contrast. Tomorrow, who knows.
Oh this was so fun! Drove through Holbrook AZ on our way to New Mexico. Stopped in Holbrook to shoot Petrified Forest and when driving through town we saw the Wigwam Motel. OMG–gotta shoot!
Came back at dusk and it started pouring down rain. Perfect! LOL. I did get pretty wet but who cares? I did a non-grungy HDR, then accentuated lighter areas by painting highlights in Photoshop, added a vignette, and a little more burning and dodging for effect. A teeny weeny bit sharpening. And I am done…for today that is.
I have told myself more than once that I am burned out on Grungy looking HDR and dont want to look at it let alone create it. But that appears to never be true since I continue to create a few HDR images from time to time. This is Death Valley at sunrise and it made for a great HDR and it is not to grungy, at least by my definition of grungy. Which is hyper color and lotsa noise and halos on the edges.
Fortunately for those of us using HDR software, you can create images that look perfectly normal and even push them a little without hyper color and noise and halos. That was my goal here. Add substantial drama. The ground here is not dark like this but rather very light salt pan. The clouds weren’t that dark either, but HDR is famous for making them look threatening.
So carefully moving the settings added a lot of drama here while avoiding over-done color and noise and other HDR issues that can arise. It is almost like a negative effect, and I am happy with it.
I love to photograph Cracked Mud like this. I might even be obsessed! The patterns and textures and details are very fascinating and I think it makes great subjects for the camera. I even wrote an article once for Pro Nature Photographer on The Art of Photographing Mud.
There is so much of it around in the outdoors where it was wet and is now dry. I am not a cracked mud expert, but I have noticed as I shoot these details that the mud dries differently and cracks differently, so there is something in the geological makeup of each sediment that I guess contributes to how it dries. Any mud experts out there? 🙂
Having spent most of the winter wandering around the deserts of the USA Southwest, I have shot a lot drying mud and its cracks. This image was from a slot canyon in Utah. What makes this cracked mud different is the layer is thin so it curled up. And…this was cool for the photo: the topside was Red, from the red sandstone I am sure, and the underside was white’ish.
