My article in Outdoor Photographer Magazine

• Flash & Strobe Lighting

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I am thrilled to see the September issue of Outdoor Photographer and my article: Lighting Nature which is based on my eBook: OUTDOOR FLASH PHOTOGRAPHY. In May they asked me to write this piece on how to use a flash in nature photography and I was of course, thrilled and honored to contribute to the magazine. 
 
You have to buy the issue to read the article but here is a link to a Photo Tip based on the same article if you want to learn about flash photography outdoors here.
 
If you want to see my eBook go here.
 

Selective Blending B&W and Color

• Image Processing

I was teaching at the Black Hills Photo Shootout a few years ago and had half a day to kill so I went on a marathon shooting visit to Badlands NP. I have been there many times and like many places you visit over the years, returning can be like you have never been there before with fresh eyes and new perspectives.

The light was not that great when I got there but I shot anyway and it was fall, so there was a tiny bit of color. I like the idea of B&W with some color remaining because it really emphasizes the color when you do this and directs the eye where you want it to go.

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Here’s the Photoshop screen showing the B&W and a mask to brush back the color area which keeps the bush in its original color. I also added contrast with a Curves adjustment and also used High Pass Filter. 

The Oregon Coast

• Nature Photography

This is from the Oregon Coast and while I had been here a long time ago I had not seen this huge rocks that was split in half. Perfect subject for a near/far approach filling the foreground with the rock using my 16- 35 mm lens. The only processing was darkening the sky a little and a bit of saturation and sharpening.

Get my book here:

Post Processing Adventures

• Nature Photography, Software Techniques, Special Effects

I photographed this image at Red Rock Conservation Area, North of Las Vegas, about 6 weeks ago. I was zipping down the road from Mt. Charleston when I spotted the cactus starting to bloom. I guessed that I was about 1 week to early for full bloom, but I was not going to be here in a week, so I shot anyway.

I used a flash to fill in the shadows on the cactus and that worked great. But since it was 4 pm the light was not that great yet, so when I opened the image in Photoshop it looked like a basic snap. That’s where the fun begins. You get started and you never know where you are going in creating. Are these images ever DONE? No, they are abandoned when you are happy with the results.

I always bracket exposures so the first thing I did was HDR process it with the only intention to add drama to the clouds. Then I opened Topaz B&W Effects and used the Cerulean set to colorize the image. Once I got here I decided I had what I wanted and subsequently ‘abandoned’ this image to go start the process all over another. If you want to know about Topaz, here’s the link: http://www.topazlabs.com/aff/idevaffiliate.php?id=196

Get my book on Outdoor Flash Photography below…..

Lupine Wildflower Photographed With Flash

• Nature Photography
The large Lupine are out and they look great! I shot this one in a shaded forest using flash in a light box to add shape to it and create separation from the background.
I shot it in the Columbia River Gorge for a magazine assignment which I will announce in the fall when it is published.The exposure was F/4 @ 1/200 with a 580EXII flash and Fotodiox mini box.
You can see my eBook: Outdoor Flash Photography here.

Whether or Not to Use HDR in Death Valley

• Image Processing, Nature Photography

I have told myself more than once that I am burned out on Grungy looking HDR and dont want to look at it let alone create it. But that appears to never be true since I continue to create a few HDR images from time to time. This is Death Valley at sunrise and it made for a great HDR and it is not to grungy, at least by my definition of grungy. Which is hyper color and lotsa noise and halos on the edges.

Fortunately for those of us using HDR software, you can create images that look perfectly normal and even push them a little without hyper color and noise and halos. That was my goal here. Add substantial drama. The ground here is not dark like this but rather very light salt pan. The clouds weren’t that dark either, but HDR is famous for making them look threatening.

So carefully moving the settings added a lot of drama here while avoiding over-done color and noise and other HDR issues that can arise. It is almost like a negative effect, and I am happy with it.

Photographing Proxy Falls Oregon

• Nature Photography

This is one of my favorite waterfalls. Maybe my favorite period!

Proxy Falls in Oregon is a luscious cascade of mist and moss on a steep hillside.

I first shot here around 25 years ago and few photographers had heard of it. There was a small dirt pull off on the winding mountain hwy.  Now a paved parking pull offs, bathrooms, and PAY TO PARK.

Another version of this falls, shot from the other side, is one of my best selling stock photos ever, when you could make money doing this! Well worth the short hike in there. 

Canon 5D and 16 – 35mm lens.

Photographing Wahweap Towers

• B&W, Nature Photography

This is one of the most amazing places I have ever shot! It’s part of Grand Staircase-Escalante NM, Utah.

The soft light is very flat lighting: no whites and no blacks, just light grays and dark grays, so you have to create the black and white. But do you need them?

Honestly, I struggled to find my ‘look.’ The original file has a blue cast from the blue sky above, so I worked that a bit: added blue/took away blue, saturated, added contrast, then took it all away. Today, I decided to do B&W and high contrast. Tomorrow, who knows.